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BEETHOVEN // Hammerklavier, Bagatelles

Nelson Goerner Beethoven 2

 

 

 

         Outhere music Nelson Goerner  

 

He is nicknamed "the poet of piano", an epithet confirmed by each of his apperances in concert, most recently with his multi-award-winning Debussy and Chopin CDs. Nelson Goerner already has an imposing discography, but this is the first time he has tackled Beethoven on a recording: he has chosen the "Hammerklavier", a work of unparalleled dimensions, complexity and profundity...
But is this artist, whom a Buenos Aires newspaper praised after a recital at the famous Teatro Colón for his "ability to combine intellectual lucidity, undeniable depth, and a technical ease that enables him to express his ideas', not the perfect interpreter for that monumental composition ?
"Here is  a sonata that will make pianists work hard", said Beethoven to his publisher after labouring on it for almost three years, at a time when his deafness was constantly worsening. Forty-five minutes of immense difficulty for the performer (and also the listener?): Between a first movement as fiery as Beethoven ever wrote and a finale that seems to foreshadow jazz improvisations, comes a splendid and deeply moving slow movement that Nelson Goerner renders with deep emotion.
He then invites us to move from the monumental to the miniature, with the Six  Bagatelles op.126, subtle gems of late Beethovenian style, constructed with formidable skill.

 

Table of contents

 

Piano Sonata No.29 in B-Flat Major, Op.106 "Hammerklavier"

1Allegro

2Scherzo 

3Adagio sostenuto

4Largo allegro risoluto

6 Bagatelles, Op. 126

5No. 1 in G Major (Andante con moto)

6No. 2 in G minor (Allegro)

7No. 3 in E-Flat Major (Andante)

8No. 4 in B minor (Presto)

9No. 5 in G Major (Quasi allegretto)

10No. 6 in E-Flat Major (Presto)

 


11'40

2'46

18'01

12'25



2'37

2'48

2'09

3'58

1'57

4'34